侵害
发表于 2025-3-23 11:54:34
Otília Marrime Farrão,José Eduardo Alvess appreciated for it by the King himself, critics tended to be conservative. Boileau censured him for blemishing high comedy with popular elements. By the nineteenth century, stronghold of the bourgeoisie in every regard, conservatism had gained an even more secure foothold. Although poets had won t
mercenary
发表于 2025-3-23 14:55:23
https://doi.org/10.1007/978-1-349-16731-9Europe; history; history of literature; literature; nineteenth century; theatre; theatre history; twentieth
不自然
发表于 2025-3-23 18:41:38
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真实的人
发表于 2025-3-23 22:39:23
Later Labiche: Continuity and Renewal,In 1860 Labiche was already at the head of his profession, but in the next five years he was to give proof of depths not yet plumbed. The years from 1860 to 1864 are the most glorious of his career, containing as they do six of his finest plays: . (.), . (The Champbaudet Stop, 1862), . (1863), . (1864), . (1864) and . (The Lodestone, 1864).
正论
发表于 2025-3-24 03:43:13
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Needlework
发表于 2025-3-24 07:12:26
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Unsaturated-Fat
发表于 2025-3-24 13:33:00
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神圣在玷污
发表于 2025-3-24 17:15:40
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Autobiography
发表于 2025-3-24 21:52:53
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Monocle
发表于 2025-3-24 23:46:09
,Fin de Siècle Feydeau: Early Brilliance,., written with Maurice Desvallieres, has a large one (22 men and 4 women). For all its relative simplicity, . displays all the complexities of situation that an author’s fertile imagination might devise with the number of pieces on the board. ., of course, offers many more possibilities of complica