Conscientious
发表于 2025-3-23 13:04:14
Nach dem Tod eines angehörigen Menschenion is written from the perspective of female observers or participants in domestic life, and the writers closest to her in craft and kinship of feeling are Anton Chekhov, Jane Austen, Virginia Woolf, Katherine Anne Porter, and Elizabeth Bowen. Welty’s comedy of manners ranges from grotesque satire
不要不诚实
发表于 2025-3-23 16:26:26
http://reply.papertrans.cn/32/3165/316429/316429_12.png
令人悲伤
发表于 2025-3-23 20:41:23
http://reply.papertrans.cn/32/3165/316429/316429_13.png
条约
发表于 2025-3-23 22:30:29
P.P.A.M. van Thiel,P.A. Kager,I. Rigterrotected domestic precincts of traditional womanhood. These women are similar to the daughters of . in their testing and revising of prescribed roles. . presents several alternative solutions to the problem of redefining the possibilities of feminine identity by dramatising the growth from childhood
ventilate
发表于 2025-3-24 04:44:02
http://reply.papertrans.cn/32/3165/316429/316429_15.png
Alienated
发表于 2025-3-24 10:08:50
Macmillan Publishers Limited 1989
天然热喷泉
发表于 2025-3-24 11:35:06
Overview: A study of the writer Eudora Welty dealing with her life and work, this text forms part of a series which is designed to help in the reassesment of women‘s writing in the light of today‘s understanding.
Boycott
发表于 2025-3-24 17:01:17
https://doi.org/10.1007/978-3-319-74962-4 but she denied that her own career had been affected by her sex. Always an intensely private person, she said she hated ‘the grotesque quality’ of the women’s movement, feeling that the extreme behaviour of some activists made ‘comedians of all of us’ and that change could be achieved in quieter wa
llibretto
发表于 2025-3-24 21:09:00
http://reply.papertrans.cn/32/3165/316429/316429_19.png
使困惑
发表于 2025-3-25 01:24:26
http://reply.papertrans.cn/32/3165/316429/316429_20.png