IRK
发表于 2025-3-27 00:50:44
http://reply.papertrans.cn/32/3161/316072/316072_31.png
巨硕
发表于 2025-3-27 01:16:30
http://reply.papertrans.cn/32/3161/316072/316072_32.png
音乐会
发表于 2025-3-27 06:18:02
Screenwriting as Dialogic Ethics After ,r the chapter explores how dialogic ethics provides a useful framework to consider the construction of ethical relations in screenwriting. David Michôd’s 2010 Australian film . forms a key case study. Maras argues that film and script use characters and situations to perform and explore different et
FOLLY
发表于 2025-3-27 10:50:52
http://reply.papertrans.cn/32/3161/316072/316072_34.png
micronutrients
发表于 2025-3-27 16:20:16
http://reply.papertrans.cn/32/3161/316072/316072_35.png
生命层
发表于 2025-3-27 17:48:46
http://reply.papertrans.cn/32/3161/316072/316072_36.png
Aesthete
发表于 2025-3-27 22:16:06
Discursive Practices and Systems, of the in-house drama unit (DR Fiction) at the Danish Broadcasting Corporation (DR) as a case study. Since 2003, DR has had certain production ‘dogmas’ for how to develop television drama series. The dogma of ‘double storytelling’ insists on series containing social and ethical themes beside ‘the g
Exaggerate
发表于 2025-3-28 03:53:20
http://reply.papertrans.cn/32/3161/316072/316072_38.png
engrossed
发表于 2025-3-28 06:33:10
Govern outlines the central place of morals and ethics in his conception of a good story. In addition, he teases out the importance of truth-telling and the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks di
RECUR
发表于 2025-3-28 12:09:50
https://doi.org/10.1007/978-3-642-48593-0eries . (2014) of which Packard was the lead writer and producer. Placing their work in the context of new theories of history writing, as well as a reconsideration of representation in ethnography and film studies, the chapter examines how the screenwriter of . negotiated and referred to a framewor