Callow 发表于 2025-3-21 18:30:08

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使习惯于 发表于 2025-3-21 20:48:14

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内部 发表于 2025-3-22 01:41:40

A Brazilian ,: Queering the Family in Hilda Hilst’s , (,)ilst’s theater expresses her irreverence toward authority, her mocking of patriarchal power, her questioning of the pieties of bourgeois decency, and her defense of a pansexuality that today we would called queer ..

使隔离 发表于 2025-3-22 06:49:14

Figurations of Eros in Hilda Hilsty of the . to mediate the ambivalent aspects of both language and human existence. The opening offered by this “obscene” third space tears a definitive slit in the literary landscape onto which her work emerges.

landmark 发表于 2025-3-22 11:30:38

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显而易见 发表于 2025-3-22 16:15:04

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显而易见 发表于 2025-3-22 19:25:01

A Nation on the Ground Floor: The Face of Brazil, Drawn with Hilda Hilst’s Political Pens novella “Axelrod (da proporção)” from the novella trilogy . as its primary tutor text, this chapter demonstrates how Hilst appropriates the marginal position of the . to critique Brazilian bourgeois nationalism through a strategy of combining genres and pushing language to the borders of sense.

CRP743 发表于 2025-3-22 23:08:16

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你敢命令 发表于 2025-3-23 05:11:34

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ALIBI 发表于 2025-3-23 07:12:59

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查看完整版本: Titlebook: Essays on Hilda Hilst; Between Brazil and W Adam Morris,Bruno Carvalho Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Brazi