RALES
发表于 2025-3-26 22:31:18
Martha Triantafilou,Kathy Triantafiloue second part of the chapter I focus specifically on breaking. I look at how b-boys and b-girls use ‘crashing’, a vernacular term for a physical error, as an opportunity for creative reinvention and a vital skill that can be deployed in other areas of their lives.
Camouflage
发表于 2025-3-27 03:41:45
Gowrishankar Banumathy,Peter D. Adamsurther expose my own artistic practices dealing with reconceptualizations and experiential techniques of movement, perception and the body which elaborate a positive account of sustained or consistent indeterminacy.
Emasculate
发表于 2025-3-27 08:46:48
Beyond Error: Philosophy of Indeterminacy in the Age of Algorithms,urther expose my own artistic practices dealing with reconceptualizations and experiential techniques of movement, perception and the body which elaborate a positive account of sustained or consistent indeterminacy.
PHAG
发表于 2025-3-27 13:04:24
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jungle
发表于 2025-3-27 17:30:39
scholars and practitioners from a broad range of disciplinesThis book offers a set of eleven discipline-specific chapters from across the arts, humanities, psychology, and medicine. Each contributor considers the creative potential of error and/or ambiguity, defining these terms in the particular co
Keratin
发表于 2025-3-27 19:51:38
Cellular Respiration and Carcinogenesis and creativity. The essay homes in on materiality, representation and interaction to argue for ambiguity as key to developing user tactics, i.e. a critical stance towards the pervasive socio-digital condition.
Expediency
发表于 2025-3-27 22:17:47
https://doi.org/10.1007/978-3-319-22819-8 minds choose which of many possibilities is the most plausible is at the heart of understanding human behaviour, and gives us an insight into how and when ambiguity can be used to enhance creative problem-solving.
整洁
发表于 2025-3-28 03:04:24
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性别
发表于 2025-3-28 06:30:27
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粗野
发表于 2025-3-28 11:53:44
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