HARD
发表于 2025-3-26 20:58:13
https://doi.org/10.1007/978-3-031-28420-5nstrated to be an errant body that utilizes movement through the city to actively resist and critique popular culture. A further claim is made that Bernstein’s proposal of dérive is perhaps the most radical because of its thorough infusion into the everyday as an ontology of getting out-of-place.
滑稽
发表于 2025-3-27 02:48:48
Caecilia H. C. Sukowati,Claudio Tiribellipunk, geography, biopolitics, and Michel Foucault. This analysis is also built upon the theories of mobility and wanderlust posited by Tim Cresswell, Rebecca Solnit, John Urry, Janet Wolff, Gilles Deleuze, and Frédéric Gros.
华而不实
发表于 2025-3-27 08:56:15
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ACRID
发表于 2025-3-27 13:29:00
Errant Bodies,punk, geography, biopolitics, and Michel Foucault. This analysis is also built upon the theories of mobility and wanderlust posited by Tim Cresswell, Rebecca Solnit, John Urry, Janet Wolff, Gilles Deleuze, and Frédéric Gros.
强化
发表于 2025-3-27 14:06:18
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灿烂
发表于 2025-3-27 21:22:03
Wanderlust and the Gendering of Mobility,n’s “proper” place. In each case, remaining out-of-place served as the basis of their spatial transgression. This chapter also includes an analysis of how the moving individual body can serve as a substitute for the body politic, and in doing so, disrupt the body politic writ large.
Guileless
发表于 2025-3-28 00:39:13
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吹气
发表于 2025-3-28 04:25:58
Excursions into the Wild,d and sidestepping its limitations in order to reach a new frontier. A diverse juxtaposition will bring together disparate “excursions into the wild” by Henry David Thoreau, Margaret Fuller, Jean Baudrillard, and Hamish Fulton in order to demonstrate how being in retreat can be a method of engagement—how getting lost can lead to discovery.
俗艳
发表于 2025-3-28 09:42:02
Book 2019erouac, Fuller, Baudrillard, Hamish Fulton, and Keri Smith. Being an errant body means stepping to the side of dominant culture, creating a potential means of political resistance in the technologically driven twenty-first century.
半身雕像
发表于 2025-3-28 11:20:45
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