False-Negative
发表于 2025-3-21 17:32:23
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有说服力
发表于 2025-3-22 00:16:57
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特征
发表于 2025-3-22 03:37:37
https://doi.org/10.1007/978-3-662-24984-0ments in theatrical craft with Brecht as our guide. It was important, despite the amount of material available to us for pursuing a form of “Brechtian” production, we create our own work, a twenty-first-century version of those ideas which would lead us to new ways of encouraging social change through the art of theatre.
flourish
发表于 2025-3-22 05:46:36
Responses and Future Work,ments in theatrical craft with Brecht as our guide. It was important, despite the amount of material available to us for pursuing a form of “Brechtian” production, we create our own work, a twenty-first-century version of those ideas which would lead us to new ways of encouraging social change through the art of theatre.
GRE
发表于 2025-3-22 11:07:46
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假设
发表于 2025-3-22 13:29:08
https://doi.org/10.1007/978-3-7091-8103-4empirical study of Brecht in performance at higher institutes of learning, specifically in the School of Theatre and Dance at Texas Tech University, with graduate and undergraduate students. Brecht still has much to offer the theatre practitioner, particularly at a time when events of the twenty-fir
假设
发表于 2025-3-22 19:14:27
https://doi.org/10.1007/978-3-658-21460-9to the East German public and leading to the establishment of the Berliner Ensemble; Brecht’s 1950 Munich production using the 1949 production as a model; Brecht’s restaging of . at the BE in 1951, the production that, in Paris and then London, established Brecht as a world-famous theatre director;
小画像
发表于 2025-3-23 01:10:08
https://doi.org/10.1007/978-3-658-13464-8s collaborative process, shifting the emphasis from the director’s role as the imposer of an overarching, pre-conceived concept to a figure who encouraged dramaturgical work from all members, whatever their primary roles on the production as actors, designers, assistant directors, or stage managers.
Bouquet
发表于 2025-3-23 01:38:42
Systematische Personalentwicklungacy, so the spectator can follow it. This chapter explores how a production team, using a Fabel as a blueprint, considers how the mise-en-scène will create an environment for realizing the gestic incidents. Included is a discussion of how literarization was incorporated and how Brecht’s concept of t
vertebrate
发表于 2025-3-23 09:20:38
Systematische Problemlösung in Unternehmented design elements to confront spectators with contrasting and even contradictory information. The 2015 team looked closely at the text for its ideological and socio-economic underpinnings and took a position towards them. That is, the events of the play were funneled through the attitude of the te