起草 发表于 2025-3-30 08:37:13
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The Empathic Body in Experimental Aesthetics – Embodied Simulation and Arterience, and examines similarities and differences to the concept of “Einfühlung” from aesthetic theory around 1900. He argues that embodied simulation can be relevant to aesthetic experience in at least two ways: First, embodied simulation generates the seeing as that plays a special role in our ae山崩 发表于 2025-3-30 19:19:34
Empathy, Imagination, and Dramaturgy – A Means of Society in Eighteenth-Century Theory on a community of equals. However, they also created a link between the new social theory and dramaturgical theory in contemporary theater. The new stage experience that evolved from the middle of the century was based on the idea of arousing the spectator’s empathy or compassion through the protag共同确定为确 发表于 2025-3-30 21:57:48
, – A Key Concept of Psychological Aesthetics). While aesthetics as a philosophical discipline focused on a rather normative understanding of beauty and a theory of art, the empirical approach in aesthetics in the tradition of Gustav Th. Fechner was primarily interested in categorising and explaining the variety of phenomena of aesthetic expercardiovascular 发表于 2025-3-31 01:33:03
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