史前
发表于 2025-3-27 00:39:55
http://reply.papertrans.cn/31/3088/308784/308784_31.png
Bone-Scan
发表于 2025-3-27 03:05:30
http://reply.papertrans.cn/31/3088/308784/308784_32.png
Prostaglandins
发表于 2025-3-27 08:28:44
Alienated Spaces: DeathStarchitecture in ,, Bleached Space and Dialogue in ,, Showroom Space in , anrg, four attributes of DeathStarchitecture are identified that contrast this space with those of Rebel zones to create a DisPassionate alienation that distinguishes the good from the bad guys. These attributes are: non-place with no memorable markers, highly-rationalized spaces of instrumentalism, s
photopsia
发表于 2025-3-27 12:35:54
http://reply.papertrans.cn/31/3088/308784/308784_34.png
尊敬
发表于 2025-3-27 14:31:01
http://reply.papertrans.cn/31/3088/308784/308784_35.png
languor
发表于 2025-3-27 18:16:55
https://doi.org/10.1007/978-3-319-66772-0empathetic; dantean; space; cinema; TV; film; setting; place
miracle
发表于 2025-3-27 22:34:56
978-3-319-66771-3The Editor(s) (if applicable) and The Author(s) 2018
愤世嫉俗者
发表于 2025-3-28 03:15:43
Amedeo D‘AdamoDeals with the emotional aspect of viewing films, focusing on well-known films that are particularly and popularly powerful.Accessible in three ways: in style, in content (being about popular films an
极少
发表于 2025-3-28 07:40:38
http://image.papertrans.cn/e/image/308784.jpg
neoplasm
发表于 2025-3-28 13:40:21
Jonathan Clavell-Hernández,Run Wangtionship to the protagonist, the settings in such films as . and some television shows are heightened by and entangled with the protagonist’s emotional struggles, sharing a narrative architectural form we will call Dantean space. Examining that rush of feelings of such empathetic settings reveals te