Favorable 发表于 2025-3-25 07:20:21
https://doi.org/10.1007/978-1-137-56885-4Television; Mad Men; Breaking Bad; Collective identity; Antiheroes; Affect; Serial Narrative; TV Horror; FeaFecal-Impaction 发表于 2025-3-25 09:24:28
http://reply.papertrans.cn/31/3088/308759/308759_22.png彻底明白 发表于 2025-3-25 15:44:30
https://doi.org/10.1007/978-3-031-49321-8lso knowledge about the world. By producing emotional reactions, fiction may become a privileged site of self-knowledge, both for the artist and for the public, although in different ways. While fiction cannot be taken as a faithful representation of factual reality, it does register emotional react多骨 发表于 2025-3-25 18:41:04
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NATO and Peace Maintenance in Africa,‘Full Measures’ (3.13), the moral and emotional complexity of the story is encapsulated in a seemingly incidental scene. We see Walter White in his living room, giving little Holly a bottle of milk. A close-up shows how the baby grabs at his glasses, and in this moment of paternal tenderness, the wrSTENT 发表于 2025-3-26 01:05:21
http://reply.papertrans.cn/31/3088/308759/308759_26.pngvibrant 发表于 2025-3-26 07:26:40
tly stronger than previous iterations of women on American television (Paul Harris). These are women who have jobs and, more importantly, drive the narrative forward. In many ways, these dramas seem to suggest that at least some demands of the second feminist movement have been taken into account. I脊椎动物 发表于 2025-3-26 10:28:15
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W. John Morgan,Alexandre Guilherme coined during the 1930s, whereas the epithet ‘Nordic’ is open to interpretation. Presumably it is bound to the Nordic region, but in which ways — geographically, culturally or socially? Which role can be ascribed to the apparent differences between the Nordic countries (for example, climate, landsc