粉笔 发表于 2025-3-23 12:03:05
http://reply.papertrans.cn/31/3086/308565/308565_11.png四溢 发表于 2025-3-23 17:14:30
http://reply.papertrans.cn/31/3086/308565/308565_12.pngSinus-Rhythm 发表于 2025-3-23 18:39:48
http://reply.papertrans.cn/31/3086/308565/308565_13.pngFulminate 发表于 2025-3-23 22:45:48
http://reply.papertrans.cn/31/3086/308565/308565_14.pngairborne 发表于 2025-3-24 04:44:43
https://doi.org/10.1007/978-981-10-5825-7presentations are not identical; the emigrant authors we are concerned with all replicate some ways of depicting migrant thinker figures but, across the body of their early works, there are some kinships that are much closer than others.单调女 发表于 2025-3-24 07:30:38
http://reply.papertrans.cn/31/3086/308565/308565_16.pngRustproof 发表于 2025-3-24 12:40:12
http://reply.papertrans.cn/31/3086/308565/308565_17.png演讲 发表于 2025-3-24 17:49:28
,Patrons, Power Struggles, Position-takings: Emigration, Césaire, Glissant, Capécia,and 1970s inserted their works into an already established body of French Caribbean literature, one whose earliest writers began their work in the 1920s and 1930s. This has created a very different generational division than that of authors in Britain.违法事实 发表于 2025-3-24 21:45:41
Opportunities and Uses of the Oceanst when supplemented with Brathwaite’s depiction of V. S. Naipaul as the bearer of “an entirely different kind of sensibility.”. What is perhaps more intriguing is the fact that, alongside his positioning of Naipaul as a central and preeminent figure within the community of Caribbean writers of the切割 发表于 2025-3-24 23:09:45
http://reply.papertrans.cn/31/3086/308565/308565_20.png