滑动
发表于 2025-3-23 10:25:00
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Cytokines
发表于 2025-3-23 15:08:30
Bai Wei: A Survivor of OrdealsAmong second-generation New Literature female writers, Bai Wei was among the small handful who wrote with a female heart, instead of a gender-neutral brain. This may be because her own story plays like a woman’s drama in Chinese modernity.
复习
发表于 2025-3-23 19:39:12
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Ankylo-
发表于 2025-3-24 00:52:25
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ARBOR
发表于 2025-3-24 02:52:23
978-981-99-4006-6Peking University Press 2023
盟军
发表于 2025-3-24 10:11:28
https://doi.org/10.1007/978-3-662-09085-5cultural changes, must be a moment of endless fascination: silent women who had cowered in the corners of history, as if buried for more than 2000 years, pushed their way out of the yellow earth, and, for the first time in history, rose to step into Chinese history. Of course, the rock-solid crust o
arbiter
发表于 2025-3-24 12:39:37
Jennifer L. Salluzzo MD,Kurt E. Roberts MDfierce thunderstorms of the May Fourth Movement, this land, like a giant jailhouse, dark as iron and stinking with blood, suddenly cracked, and a generation of young women rebels of “Young China” crept out of it to emerge in history. They were so young and so exhilarated, yet at the same time so anx
Abutment
发表于 2025-3-24 16:49:24
Linda P. Zhang M.D.,Scott Q. Nguyen M.D.ebel when she began her literary career in 1923. As soon as she had her short stories published in . (.) and . (.), such as “Journey” (Lüxing), “Kind Mother” (Cimu), “Separation” (Gejue) and “After the Separation” (Gejue zhihou), her bold style of writing swept the readers of the time off their feet
Spongy-Bone
发表于 2025-3-24 20:02:48
Eric Donnenfeld,Alanna S. Nattisas fresh, gentle, and crystal clear as the images conjured by the titles of her poetry collections—. (.), . (.), and by her pen name itself, Ice Heart (verbatim in Chinese). Bing Xin has been well-respected by later critics as well, with her top-rank reputation among her female peers in modern Chine
难取悦
发表于 2025-3-25 00:23:49
Eric Donnenfeld,Alanna S. Nattisuished by her emphasis on, and her forte at as well, describing women who play their social gender roles—wives, missuses or .s, mothers, young ladies, mothers-in-law, and daughters-in-law. They may not have a distinct sense of the times like Lu Yin’s Lusha or Ding Ling’s Sophia, who are so close to