马赛克 发表于 2025-3-26 21:15:20
Machado’s Wounded Malesy by analyzing the ways in which Machado’s male characters are haunted by specters of inadequacy and impotence, inflicting painful psychological wounds on them. Valente demonstrates how Machado’s works, particularly the short stories “Wedding Song” (1883) and “Midnight Mass” (1894) and novel . (1899管理员 发表于 2025-3-27 02:44:14
Homoaffectivity Exemplified in ,ous relationship between Bento and Escobar. Gomides explores the homoeroticism and homosocial bonds that go beyond the jealousy of a husband who believes himself cuckolded. According to Gomides, Capitu, the enigmatic wife of Bento, the protagonist and narrator, accused of betraying him with his best外来 发表于 2025-3-27 05:37:18
Masculinity and Matrimonial Secrets in ,ulinity and homoerotic desire that haunt Bento cannot be divorced from the intersecting discourses of republicanism, national whiteness, “civilizing” Rio, and eugenics. As Miskolci argues, at the turn of the century, marriage aimed at exercising control over desire, reinforcing rigid gender binariesINERT 发表于 2025-3-27 12:56:05
Machado’s Tales of the Fantastic: Allegory and the Macabrexamines three such stories, “O capitão Mendonça” (Captain Mendonça, 1870), “A vida eterna” (Eternal Life, 1870), and “Os óculos de Pedro Antão” (Pedro Antão’s Glasses, 1874), to suggest that these are actually political allegories disguised as tales of the macabre. All three conjure up images of dea暂停,间歇 发表于 2025-3-27 13:46:22
http://reply.papertrans.cn/31/3083/308227/308227_35.pngengagement 发表于 2025-3-27 18:05:49
Machado de Assis and Realism: A Literary Genealogyist tradition—founded upon a firm philosophical questioning of placing reality into representation. Gumbrecht interrogates Machado’s relationship with realism, centering on the writer’s singular narrative form of instability and self-reflexivity.耕种 发表于 2025-3-28 01:14:47
Machado de Assis and Pascalpe from the mundane mechanics of passions and self-interest. Thus, a difference between the Brazilian and the French writer emerges: where Pascal proposes a leap of faith, Machado invents a narrator who is stuck in those mechanics and whose characters can be the victims of a meaningless, purely material world.出来 发表于 2025-3-28 05:09:55
http://reply.papertrans.cn/31/3083/308227/308227_38.pngExpand 发表于 2025-3-28 07:33:24
http://reply.papertrans.cn/31/3083/308227/308227_39.pngAGOG 发表于 2025-3-28 12:24:08
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