GRAVE 发表于 2025-3-25 04:34:48

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Hyperalgesia 发表于 2025-3-25 09:27:30

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Malcontent 发表于 2025-3-25 13:59:43

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鸣叫 发表于 2025-3-25 16:34:10

,Grindhouse Ago-Go: Sounding the Collagenous Commons of Rob Zombie’s ,and genre mashup, making allusion to older horror films and incorporating dialogue from them into songs. The title for “More Human than Human,” for example, comes from the script for Ridley Scott’s . (1982), while the sample in it of a woman moaning in sexual ecstasy comes from the much more esoteri

RALES 发表于 2025-3-25 23:06:24

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Deceit 发表于 2025-3-26 00:30:19

,The Alllusion: Intelligent Machines, Ethical Turns, and Oren Peli’s , Sloat) and Katie (Katie Featherston), a 20-something couple sharing a two-story San Diego tract house. In the film’s opening scene, Micah, who regards these visitations with skepticism, if not utter disbelief, meets Katie at the front door, exclaiming, “Kiss the camera!” He uses this digital camcor

Eviction 发表于 2025-3-26 05:52:01

,“Little Children, It is the Last Time”: The Ovolutionary Trees of Lars Von Trier’s ,n the film? Its storyline seems to offer no overt clues, especially since it focuses on two characters, “He” (Willem Defoe) and “She” (Charlotte Gainsbourg), a couple recovering from the accidental death of their infant son Nick. He, an exposure therapist, resolves to take She, an ecofeminist workin

neurologist 发表于 2025-3-26 10:22:33

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Invertebrate 发表于 2025-3-26 16:38:38

978-1-349-48753-0Larrie Dudenhoeffer 2014

想象 发表于 2025-3-26 16:49:57

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查看完整版本: Titlebook: Embodiment and Horror Cinema; Larrie Dudenhoeffer Book 2014 Larrie Dudenhoeffer 2014 Horror.film studies.cinema studies.body theory.affect