GRAVE 发表于 2025-3-25 04:34:48
http://reply.papertrans.cn/31/3081/308015/308015_21.pngHyperalgesia 发表于 2025-3-25 09:27:30
http://reply.papertrans.cn/31/3081/308015/308015_22.pngMalcontent 发表于 2025-3-25 13:59:43
http://reply.papertrans.cn/31/3081/308015/308015_23.png鸣叫 发表于 2025-3-25 16:34:10
,Grindhouse Ago-Go: Sounding the Collagenous Commons of Rob Zombie’s ,and genre mashup, making allusion to older horror films and incorporating dialogue from them into songs. The title for “More Human than Human,” for example, comes from the script for Ridley Scott’s . (1982), while the sample in it of a woman moaning in sexual ecstasy comes from the much more esoteriRALES 发表于 2025-3-25 23:06:24
http://reply.papertrans.cn/31/3081/308015/308015_25.pngDeceit 发表于 2025-3-26 00:30:19
,The Alllusion: Intelligent Machines, Ethical Turns, and Oren Peli’s , Sloat) and Katie (Katie Featherston), a 20-something couple sharing a two-story San Diego tract house. In the film’s opening scene, Micah, who regards these visitations with skepticism, if not utter disbelief, meets Katie at the front door, exclaiming, “Kiss the camera!” He uses this digital camcorEviction 发表于 2025-3-26 05:52:01
,“Little Children, It is the Last Time”: The Ovolutionary Trees of Lars Von Trier’s ,n the film? Its storyline seems to offer no overt clues, especially since it focuses on two characters, “He” (Willem Defoe) and “She” (Charlotte Gainsbourg), a couple recovering from the accidental death of their infant son Nick. He, an exposure therapist, resolves to take She, an ecofeminist workinneurologist 发表于 2025-3-26 10:22:33
http://reply.papertrans.cn/31/3081/308015/308015_28.pngInvertebrate 发表于 2025-3-26 16:38:38
978-1-349-48753-0Larrie Dudenhoeffer 2014想象 发表于 2025-3-26 16:49:57
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