CULP
发表于 2025-3-23 13:31:19
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傻瓜
发表于 2025-3-23 14:32:10
Franziska BaumannOffers practice-oriented insight into embodied HCI in live music performance with emphasis on voice.This approach is a valuable mix of phenomenology and artistic research.Explores a creative framework
情节剧
发表于 2025-3-23 18:35:03
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NICE
发表于 2025-3-23 22:52:50
Microstructure and Texture in Steelsts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for
者变
发表于 2025-3-24 06:01:28
Microstructure of World Trading MarketsI present the listener with the ., a perspective that goes beyond the established western European tradition and considers a new type of musical orientation in contemporary vocal art. The first section discusses the nature of the term .. It gives a brief historical outline of how contemporary vocal
围巾
发表于 2025-3-24 09:53:39
Qingrui Yin,Binghe Zhu,Huarong Zengs with two basic notions. First, I introduce the mediated voice as an .. As voices “from me” or as “clones of myself”, they are modified through electrified processes and become reflections and distortions of the original voice. Secondly, the mediated voice is explored in prerecorded vocal elements
制造
发表于 2025-3-24 11:08:43
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尖酸一点
发表于 2025-3-24 18:20:13
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远地点
发表于 2025-3-24 19:41:34
Introduction,ts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for Musical Expression (NIME) research community.
Frequency-Range
发表于 2025-3-25 01:55:40
https://doi.org/10.1007/978-3-031-17985-3Embodied Human-Computer Interaction in Live Music Performance; Mediated Voice; Creative Computing; Gest