遣返回国
发表于 2025-3-23 13:28:12
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STING
发表于 2025-3-23 14:31:54
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cylinder
发表于 2025-3-23 21:50:51
https://doi.org/10.1007/978-3-319-67537-4a return to images that will allow nothing to take their place; the aesthetic is nothing but an attempt to disguise and glorify the enforced return. All susceptibility belongs to the age of magic, the Eden where fact and fiction were the same: the imaginative writer was the imaginative child, who re
geriatrician
发表于 2025-3-24 01:30:27
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habile
发表于 2025-3-24 03:03:46
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加强防卫
发表于 2025-3-24 07:55:22
Friends and Relations and To the North,nd that made me a novelist’.. Leaving behind the emotionally charged context of her family history, she devotes her creative energies in her third novel to a subject which seems to make no personal claims on her. The time-honoured constraints of the Anglo-Irish big house are replaced here by the flu
squander
发表于 2025-3-24 14:11:45
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OATH
发表于 2025-3-24 18:41:54
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改革运动
发表于 2025-3-24 20:50:34
The Heat of the Day,rain of ‘that V-1 summer’ would affect the quality of the novel (. 187). Instead of continuing, she decided to finish a volume of short stories, .. As Glendinning reports, Bowen could not finish her seventh novel until the war was over because only then could she say: ‘I suddenly feel I know a lot m
famine
发表于 2025-3-25 02:28:02
,Elizabeth Bowen’s Fiction,a return to images that will allow nothing to take their place; the aesthetic is nothing but an attempt to disguise and glorify the enforced return. All susceptibility belongs to the age of magic, the Eden where fact and fiction were the same: the imaginative writer was the imaginative child, who re