AMUSE
发表于 2025-3-21 17:02:17
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Eulogy
发表于 2025-3-21 21:53:02
,“Hearing Things”: Voice and Rhyme in the Poems of Elizabeth Bishop,
Encumber
发表于 2025-3-22 04:14:24
Introduction, to readers, while simultaneously intoning external soundscapes. The chapters in this volume meticulously display Bishop’s virtuosity with transforming traditional poetic and musical forms into her own innovative adaptations fitting contemporary experience. Seemingly natural voices become our own in
平息
发表于 2025-3-22 05:49:07
,“I am in Need of Music”: Elizabeth Bishop and the Energies of Sound and Song,is chapter explores Bishop’s interest in repetition and rhythm. Focusing on a discussion of her early poem “Anaphora,” the chapter shows how Bishop, from an early stage, is using music to develop a social model for the lyric that also allows her to locate and embody herself temporally, and to engage
exhibit
发表于 2025-3-22 12:10:49
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秘传
发表于 2025-3-22 13:43:28
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秘传
发表于 2025-3-22 19:26:04
,Causes for Excess: Elizabeth Bishop’s Eighty-Eight Exclamations, review singles out her reticence and her careful measuring of emotion to cause. Yet no list of her most distinctive lines would be complete without her startling exclamations, lines that condense epiphanies and voltas, finally admitted wishes and self-injunctions. And any transcription of her varie
有害
发表于 2025-3-23 00:02:52
,‘A Very Important Violence of Tone’: Bishop’s ‘Roosters’ and Other Poems,tending through the end of her career. In a college poem such as “A Word with You” (1933), as well as “Roosters” (1941), “The Fish” (1940), “The Armadillo” (1957), “Trouvée” (1968), “In the Waiting Room” (1971), and “Crusoe in England” (1971), Bishop carefully prepares for moments of violence that f
连系
发表于 2025-3-23 02:10:17
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painkillers
发表于 2025-3-23 08:54:25
Elizabeth Bishop and Brazilian Popular Music: From Anonymous Sambas to Contemporary Composers,anifesting her will to make “a good collection” of sambas in translation. She writes: “I suspect are some of the last folk poetry to be made in the world.” Besides the “anonymous four sambas” included in ., Bishop translated a selection of well-known Brazilian composers. This unpublished re