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Introduction: The Love Affair with Labels: New Subjects in the Eighties, in Contemporary Culture,” a Spring/Summer 1984 ., and, the most influential, the Fall 1984 . on “Modernity and Postmodernity,” with essays by Jameson, Huyssen, Foster, Habermas, Seyla Benhabib, Nancy Fraser, and Gérard Raulet. Those interested in cultural criticism around fall 1984 could scarcely f游行 发表于 2025-3-26 06:05:26
The Surrogate Mother: ,?,en science and tradition clear; and while the supposedly new parental relationships were in truth nothing different from what had been imagined millennia ago, the science fiction trappings of in vitro fertilization (IVF) and the legal issues raised in paternity cases were. Here, the strange figure ostrdulate 发表于 2025-3-26 08:35:00
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The Brat Pack and Its Mommy: Motherhood in the Age of Yuppiebacks,phenomenal publishing success was built in part on the authors’ high-living public image and appearance in Page Six gossip columns and in part on Vintage Contemporaries’ invention of slickly marketed trade “yuppiebacks.” In particular, McInerney’s best-selling . found huge success as a quintessentiaInterstellar 发表于 2025-3-26 17:15:33
Coda: The Ventriloquy of Childhood,to become subjects. As with the sudden appearance of postmodernism, there is a seeming inevitability to occupying a lifestyle, to making a conscious choice between a range of proffered subject positions. We see an extreme version of this in the high school halls of . and more subtle versions in yupp