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Representational Conventions and Varieties of Operatic Madness: The Gap between Dramaturgy and Diagnarly modern period raises unexpected features of the ‘gendering’ of insanity, in that in early opera more male protagonists than female succumbed to the condition, unlike more famous, nineteenth-century examples..We can see that the changes in the operatic representation of madness occurred in conjuoverbearing 发表于 2025-3-25 15:35:09
Oliver Lemon,Srini Janarthanam,Verena Rieseriety and the time in which authors of lyrics and musicians lived. It is therefore inevitable that even the health aspects (the most frequent and evident diseases, the sometimes contradictory and often ineffective work of doctors and pharmacists, the limits and contradictions of a medicine often unabFUSC 发表于 2025-3-25 17:49:46
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Qing Duan,Krishnendu Chakrabarty,Jun Zengsic therapy as a method of treatment dates back to the first half of the eighteenth century and then developed in a scientific way in the following centuries, up to the clinical-instrumental evidence in the medical field of recent decades. Music therapy is currently one of the most widely used complCLEAR 发表于 2025-3-26 00:12:24
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https://doi.org/10.1007/978-3-658-29995-8physiology. The first studies on the physiology of the voice and the role of music and singing in opera date back to Hippocrates and Aristotle. At the end of the sixteenth century, several treatises on vocality and the organs of voice and speech were published by different anatomists, just as the “FRAG 发表于 2025-3-26 16:42:08
https://doi.org/10.1007/978-1-4842-5540-7Age (1800–1910). Research published in recent decades specifies that in the history of music, mental disorders are not only present as a plot element in many operas, but are a condition experienced by many authors during the creative phase of their career. The cliché ‘genius and madness’ is reflecte大喘气 发表于 2025-3-26 20:16:04
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