excrete
发表于 2025-3-25 04:20:39
Amateurs, Professionals, and the Second Half of the Century,proaches. While an editor like Alexander Grosart exemplifies a late version of nineteenth-century ‘amateur’ editing, A.H. Bullen is considered as exemplifying a shift towards a more commercial view of the editing process. This chapter also contrasts the editing of Renaissance literature with approaches to the editing of pre-Renaissance literature.
传染
发表于 2025-3-25 07:57:17
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大范围流行
发表于 2025-3-25 14:33:28
Cities’ Sustainability in a Risk-Prone World of Renaissance literature. This is especially the case with Complete Editions, as opposed to the anthologies common in the eighteenth century. Salzman argues that the nineteenth-century editorial tradition as a whole has been neglected, and that Shakespeare editing, while less neglected, needs to b
委托
发表于 2025-3-25 19:11:25
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天真
发表于 2025-3-25 23:55:09
Digital Urban Networks and Social Media,adventurous nineteenth-century editor, moving between texts that were previously considered to be ephemeral, such as jest-books, and a project like his massive folio Shakespeare edition and his Shakespeare biography. Halliwell’s working methods are analysed in detail, especially his use of scrapbook
隐藏
发表于 2025-3-26 03:50:32
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musicologist
发表于 2025-3-26 07:58:49
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集中营
发表于 2025-3-26 08:49:56
Paul SalzmanFills a traditional gap in accounts of Renaissance canon formation in the nineteenth century.Features an account of Grosart that will prove a signal contribution to the discipline.Sheds renewed light
Intercept
发表于 2025-3-26 13:08:22
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大雨
发表于 2025-3-26 20:25:59
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