BIBLE
发表于 2025-3-27 00:16:08
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带来墨水
发表于 2025-3-27 01:33:27
Advertorials in JugendprintmedienPascoli, and Guido Gozzano. Most importantly, the introduction lays out the basic principles of “melopoetics,” the theoretical approach that will guide this book’s exploration of the relationship between modern Italian poetry and opera.
Occipital-Lobe
发表于 2025-3-27 07:21:33
https://doi.org/10.1007/978-1-4614-5170-9ner’s model and advocated a return to Monteverdi, first working to effect this return in his novels, then with his unrealized plans to build an Italian performance space—a Mediterranean equivalent of Wagner’s Festival House in Bayreuth.
征服
发表于 2025-3-27 12:16:19
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绿州
发表于 2025-3-27 15:37:05
,From Bayreuth to Fiume: D’Annunzio, Wagner, and the Death of Italian Opera,ner’s model and advocated a return to Monteverdi, first working to effect this return in his novels, then with his unrealized plans to build an Italian performance space—a Mediterranean equivalent of Wagner’s Festival House in Bayreuth.
RENAL
发表于 2025-3-27 21:27:54
Book 2020luence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond..
不连贯
发表于 2025-3-27 21:59:28
Umberto Saba and the Verdian Sound of Italy,, and open quotations from Verdi’s librettos punctuate Saba’s poems: an analysis of these references allows readers to trace the contours not simply of Saba’s passion for Verdi, but of his deeper notion of “Italianness.”
追逐
发表于 2025-3-28 04:13:06
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Comedienne
发表于 2025-3-28 08:51:16
,Heart of Darkness: Saba’s Operatic Eroticism,nts of his soul—most notably, his sexuality. These references manifested his inner conflicts by allowing the poet to stage mini-dramas within his works, using familiar refrains (from popular operas) for his own recurring themes, in particular the “mending” of his broken heart, a metonym of his neuroses and conflicted identity.
王得到
发表于 2025-3-28 13:13:53
Strange Mercy: Montale, Opera, and the Death of Tragedy, By addressing this dissatisfaction through developing thematics of opera, Montale begins to aspire to a new form of tragedy, one that has its roots in ancient Greek theater, but that can be applied to the atrocities of the twentieth century.