误解 发表于 2025-3-21 16:03:57

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Charade 发表于 2025-3-21 22:31:10

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不能妥协 发表于 2025-3-22 15:31:49

An Overview of Polymer Processing Modelling,tive physical movement. In both music and dance, successful performance includes both variation and repetition. Anderson argues that both dance and song are the means for the masque genre’s focus on mingling fictional and social personae.

不能妥协 发表于 2025-3-22 20:12:43

Robert Finn,Abderrahim Ouazzi,Stefan Turekpoetic, literary and family precedent. Anderson argues that echo provides the opportunity for a specifically feminised intervention in masculinist literary genealogies, and that Echo is, simultaneously, a woman speaking and a woman silenced, and can stand in for both.

Allege 发表于 2025-3-22 22:40:33

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终点 发表于 2025-3-23 07:11:18

Sound and Precedent in Elizabethan Progress Entertainments,a musical device at Elvetham. This chapter explores the ways sounds, musical ensembles and musical genres heard at prior events are revisited, revised and re-heard in different locations and contexts, developing an acoustics of courtly entertainments in which the signs of musical sophistication are also political assertions.
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查看完整版本: Titlebook: Echo and Meaning on Early Modern English Stages; Susan L. Anderson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 sound st