sleep-spindles 发表于 2025-3-25 06:35:38
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Joseph R. Robinson,Gwen M. Mlynekdy” of both performer and listener. This chapter attempts to investigate some of the ways in which Jones’s self resonates in reflexive affective experiences, including his profound commitments to political harmony and reconciliation, the poetry of politics, and the politics of poetry.panorama 发表于 2025-3-25 16:55:20
https://doi.org/10.1007/978-1-4302-2657-4g George Fowler, shows how, under the later influence of British imperialism in the Middle East and Central Asia, the trope of the horseback “Tartar” journey becomes gradually reimagined as an increasingly aestheticized and controlled idea of movement, threading together romanticized images of the East.东西 发表于 2025-3-25 20:08:06
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“Endued with a Natural Disposition to Resonance and Sympathy”: “Harmonious” Jones’s Intimate Readingdy” of both performer and listener. This chapter attempts to investigate some of the ways in which Jones’s self resonates in reflexive affective experiences, including his profound commitments to political harmony and reconciliation, the poetry of politics, and the politics of poetry.疲惫的老马 发表于 2025-3-26 04:22:27
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Introduction,est exchanges beyond adversarial binaries, thereby facilitating cross-disciplinary interactions and engagements with recent developments in material and global studies. The introduction further presents the argument of the three sections of the book: resonant identities, textual resonances, and aesthetic resonances.使习惯于 发表于 2025-3-26 19:17:55
From Jehol to Stowe: Ornamental Orientalism and the Aesthetics of the Anglo-Chinese Gardenent of the Anglo-Chinese garden. The chapter argues that the creation of a hybridized horticultural grammar of ornament took part in a self-reflexive cosmopolitan writing of England’s cultural identity.