实体
发表于 2025-3-21 17:56:40
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是贪求
发表于 2025-3-21 21:10:05
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特别容易碎
发表于 2025-3-22 03:03:11
https://doi.org/10.1007/978-3-030-34581-5Comtemporary British Theatre; Playwright; Director; Race; Identity; Black Women‘s Playwriting; Diasporic A
半球
发表于 2025-3-22 04:41:55
978-3-030-34583-9The Editor(s) (if applicable) and The Author(s) 2020
aspersion
发表于 2025-3-22 11:36:10
Positive Systems with Retarded Delays,In September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Siân Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.
gustation
发表于 2025-3-22 13:06:08
Reflections on ,: Izzy Rabey in Conversation with Siân Adiseshiah and Jacqueline BoltonIn September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Siân Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.
gustation
发表于 2025-3-22 17:16:00
Introduction to the Boundary Layer). It reflects on scholarly debates within tucker green scholarship, teasing out key questions that are pertinent to how her work has been understood. The chapter articulates a primary concern of this volume, which is not only to emphasize the central importance of tucker green as a black woman play
Intersect
发表于 2025-3-22 21:46:06
Further Properties of the Laplace Transform, the history and persistence of institutional racism in the British criminal justice system. However, it is only in the play’s final moments that tucker green’s intentions to explore themes of racial violence within a broader historical and geographical context become clear. This chapter argues that
deforestation
发表于 2025-3-23 03:07:45
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meditation
发表于 2025-3-23 08:05:17
Basic Concepts, Protocols and Terminology, and . (2015). In a divergence from a scholarly consensus that interprets the drama as providing edifying ethical experiences, the authors instead suggest that tucker green’s plays withhold a straightforward ethical encounter and make such a withholding a key way through which the political power of