aesthetician
发表于 2025-3-25 06:10:19
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阻挡
发表于 2025-3-25 11:30:14
High-Performance Wideband SDR Channelizersary. This chapter outlines Benning’s astonishing flourish of work since 2000 (39 films totaling nearly 60 hours, plus video installations and other gallery projects), and proposes him as the twenty-first-century durational filmmaker most directly descended from the New York avant-garde of the 1960s.
Preserve
发表于 2025-3-25 13:18:26
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A保存的
发表于 2025-3-25 18:18:22
Islam Alyafawi,Arnaud Durand,Torsten Braunch of the four between a minimal image track and an impassioned voiceover, understanding this as another iteration of the dialectic of minimal and multiple recurrent in durational cinema from the 1960s to the twenty-first century. At the same time, each of the four films offers its own . variety of
胶状
发表于 2025-3-25 20:20:36
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不爱防注射
发表于 2025-3-26 00:36:40
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Dysarthria
发表于 2025-3-26 07:49:28
,Agnes’s Networks of Philanthropy,he diary film ., and the video installation .. . is understood as strongly formalist, as a road movie, as a film preoccupied with music, and as a meditation on the “bloodlands” of East Germany, Poland, and Russia that suffered equally under Hitler and Stalin. This connects with Akerman’s personal hi
不来
发表于 2025-3-26 12:31:34
,Agnes’s Networks of Philanthropy, shots and the same scenario (a remake of Godard’s .) every 10 minutes from before dawn to after sunset on a long summer day, though the piece is not a loop; the 70 different iterations are 70 different takes. The artist proposes that the narrative tires itself out so that the piece becomes a study
Morose
发表于 2025-3-26 15:16:40
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AMBI
发表于 2025-3-26 20:30:55
Iranian Women Entrepreneurs Living in Iranhe first deals with the epochal shutdown of Chinese state-owned enterprises, the other two with still-thriving industries (garment making and fossil fuel extraction). Beginning with an account of the person walking away from the camera as a signature shot in Wang, the chapter moves on to a detailed