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Dreams, Sleep, and Shakespeare’s Genres978-3-030-13519-5Series ISSN 2731-3204 Series E-ISSN 2731-3212
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Venture Capital Prior to the Age of COVIDwhat we find in Shakespeare’s earlier comedies, tragedies, and history plays. But as I have argued throughout this book, the playwright could not have written his dreamlike late plays without using dreams and sleep in the way he did in his earlier plays.
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Palgrave Shakespeare Studieshttp://image.papertrans.cn/e/image/282818.jpg
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https://doi.org/10.1007/978-3-030-83063-2sleep defy comedic closure by introducing darker themes that are neither resolved nor absorbed by the plays’ endings. The chapter examines how Shakespeare created a darker form of comedy in part by adapting literary traditions of fictitious dreams (mainly Plautine) and dream visions (mainly Chauceri
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https://doi.org/10.1007/978-3-030-83063-2 the chapter begins by examining the traditions that Shakespeare inherited—and from which he also deliberately departed. It discusses how the Renaissance moved away from the near-universal acceptance that dreams could be supernatural and prophetic, and towards an increased acknowledgement that they