deliberate
发表于 2025-3-21 19:15:54
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Seminar
发表于 2025-3-21 22:32:48
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Chandelier
发表于 2025-3-22 00:57:32
https://doi.org/10.1007/978-94-017-6840-5drama; Henrik Ibsen; play; social change
mediocrity
发表于 2025-3-22 05:07:16
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upstart
发表于 2025-3-22 12:27:39
Ancillary Functions for plot( )he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would be in power. He left the conservative business milieu of Rotterdam in
集聚成团
发表于 2025-3-22 13:31:22
Functions That Plot Multiple Plots presented the Dutch audience with a powerful characterization of Sachel, the old Jewish rag-dealer, whose life is falling apart when his son Rafaël confronts him with severe criticism and rejection of the Jewish religion and of the business practices accepted in the ghetto. However, beside the stro
集聚成团
发表于 2025-3-22 17:33:25
Formatting and Plot Management Tools. and . are usually considered the plays in which Heijermans expressed his faith in and sympathy for the proletariat. His reputation as a champion of the poor and a writer of socialist plays is based on these two dramas. Written, respectively, in 1900 and 1901, . and . represent the end of the perio
慢慢冲刷
发表于 2025-3-23 00:30:54
https://doi.org/10.1007/978-1-4842-6831-5 plays. Flaxman searches for the sympathy with workers under a . economy which he finds in Op Hoop van Zegen. To him, “the Socialism in . … is so much more a matter of induction than in the earlier plays, that many of the critics praised the play for its lack of tendenz” (p. 114). He himself wishes
眼界
发表于 2025-3-23 02:43:00
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FLIP
发表于 2025-3-23 09:11:37
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