exceed 发表于 2025-3-26 23:03:46
https://doi.org/10.1007/978-1-4614-7019-9agree with this assessment. Ibsen can be regarded as the father of modern drama, and even in his own lifetime, especially in the last quarter of the nineteenth century, his European reputation was assured. But this reputation was based, in part, on a misunderstanding of where Ibsen’s true interestsinterference 发表于 2025-3-27 01:23:49
Visual Lunar and Planetary Astronomyhis masterpiece, ., is a profound drama of social change. He is, however, a more ‘open’ dramatist than the other two. That is, Ibsen places a perhaps too insistent emphasis on the intractable nature of the opposition between individual aspiration and social constraints. His views are fixed: his protdeface 发表于 2025-3-27 06:51:00
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Visual Lunar and Planetary Astronomys, for instance, there is no real strain between the religious view of life implied by the presence of the gods and their unalterable laws, and the tragic emphasis on the instability and frailty of man’s life because, though Sophocles in no way indicts the divine powers, he presents them as remote,Lymphocyte 发表于 2025-3-28 00:04:17
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http://reply.papertrans.cn/29/2828/282769/282769_38.pngChronic 发表于 2025-3-28 09:43:54
Beckett and Pinter: Empty Spaces and Closed Rooms,stence of God, but ends despairingly, reiterating the word that, as well as any other, describes Beckett’s dramatic landscape, ‘the skull the skull the skull’. When the curtain goes up at the beginning of . (1957) we see a room with two high-up curtained windows, in which the furniture is draped wit小步走路 发表于 2025-3-28 11:46:09
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