Modicum
发表于 2025-3-23 13:26:57
http://reply.papertrans.cn/29/2828/282710/282710_11.png
极微小
发表于 2025-3-23 14:56:20
Introduction: Neither Here nor There,e of this introduction, ‘neither here nor there’. For instance, although the camera’s approach to a character seems often to involve a deepening of identification, doubling, by collapsing interiority/ exteriority distinctions, reveals the reversibility and ambiguity of both scale and identification, as what is ‘here’ is also situated ‘there’.
fluoroscopy
发表于 2025-3-23 20:14:18
http://reply.papertrans.cn/29/2828/282710/282710_13.png
laxative
发表于 2025-3-23 23:08:51
http://reply.papertrans.cn/29/2828/282710/282710_14.png
确定的事
发表于 2025-3-24 05:26:40
http://reply.papertrans.cn/29/2828/282710/282710_15.png
Glossy
发表于 2025-3-24 07:23:11
http://reply.papertrans.cn/29/2828/282710/282710_16.png
abracadabra
发表于 2025-3-24 14:09:18
http://reply.papertrans.cn/29/2828/282710/282710_17.png
轻浮女
发表于 2025-3-24 16:10:59
http://reply.papertrans.cn/29/2828/282710/282710_18.png
包庇
发表于 2025-3-24 22:50:50
http://reply.papertrans.cn/29/2828/282710/282710_19.png
SLAG
发表于 2025-3-25 01:49:14
tance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.978-1-349-48469-0978-1-137-39669-3