DART 发表于 2025-3-21 18:54:56
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The Literary Antecedents of Domestic Noirvels of anxiety within and through her novels, not just in the minds of her, often hapless, protagonists but also in those of her readers. However, I will be arguing here that she also deserves recognition as an antecedent of the recent ‘domestic noir’ subgenre. While Highsmith’s protagonists are prslow-wave-sleep 发表于 2025-3-22 02:50:11
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Gone Genre: How the Academy Came Running and Discovered Nothing Was As It Seemedxt (or employment of metafictional strategies)? While this question is implicitly posed in many of the studies mentioned in this essay, it has rarely been the explicit starting point for an analysis. Asking the question from this way round yields some different lines of enquiry. In other words, how渐变 发表于 2025-3-22 11:25:53
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“How Much Do You Want to Pay for This Beauty?”: Domestic Noir and the Active Turn in Feminist Crime o fight back, to make choices, to survive a crime or even to be a criminal agent. Focusing on Gillian Flynn’s . and Paul Hawkins’ ., this chapter examines the gendering of the body in crime fiction and how female characters are portrayed as increasingly active participants in the plots of popular nopalliate 发表于 2025-3-22 20:32:27
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The Subversion of the Male Tradition in Crime Fiction: Liane Moriarty’s ,ourses in crime fiction. Focusing on the three female main characters, the chapter examines the portrayal of specific female and feminist issues in contemporary society: Domestic violence, motherhood, and sexual assault. As well as considering how the main characters resolve these issues, both as in