Minikin
发表于 2025-3-23 10:46:08
Rob Roggema,Wanglin Yan,Greg Keeffewith great power. Yet, Wyclif also believed that the rest of the liturgy should be in the vernacular, a situation that would give rise to the potential usurpation of the priest’s voice à la singing-shepherd episode that I related in the introduction. Indeed, in Chaucer’s time, the power of the cleri
glacial
发表于 2025-3-23 15:39:03
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nitric-oxide
发表于 2025-3-23 20:11:42
Mexican Antimodernism: , in Gustavo Sainz’s speech, and culminates in a study of texts that represent not only lay ventriloquism of the clerical voice but also uniquely lay performances capable of divine communications. Scholars of medieval literature have studied verbal performances for the agency that they connote but, with some exceptions,
occult
发表于 2025-3-24 01:33:22
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多节
发表于 2025-3-24 02:43:18
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cloture
发表于 2025-3-24 10:16:13
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较早
发表于 2025-3-24 13:54:51
The Master’s Voicen when dealing with the Word of God or his agents.”. In this culture, the power of the priest’s voice was enhanced by particular types of vernacular instruction, namely, one-on-one education in the form of private auricular confession and preaching to unlearned lay people.
极为愤怒
发表于 2025-3-24 17:29:10
Belly Speechmon is followed by Thomas’s pseudo-Eucharistic offering. In ., it is as if the lay people, so improved by the pastoral care efforts that, wittingly or not, galvanized the power of the clerical voice, are themselves so empowered that they not only subvert clerical authority but also prove the value of lay speech.
motivate
发表于 2025-3-24 19:56:05
Introduction: Listen Up! role of priests, who spoke for God when they preached, instructed sinners in confession, and performed the liturgy. But this book also accounts for less likely sources for the divine voice such as pagan idols, who revealed occult oracles yet could become appropriated as organs for the divine voice;
INCH
发表于 2025-3-25 01:08:35
The Talking DeadEnglish poetic texts written down in the tenth century. An object or creature that normally cannot speak introduces itself in its own words, in its own voice. A tough audience (or, one that expected this enigmatic convention) might choose to overlook how marvelous it is that these objects should be