配置 发表于 2025-3-25 04:57:08

https://doi.org/10.1007/978-3-030-00190-2bitcoin; digital currency; IT in business; ether; music; media; gaming

Acclaim 发表于 2025-3-25 08:11:51

978-3-030-13090-9The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl

hidebound 发表于 2025-3-25 15:30:18

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DNR215 发表于 2025-3-25 18:00:05

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Resign 发表于 2025-3-26 00:04:09

Eric B Carstens BSc., MSc., Ph.D. improve the process of attribution, allowing creators to receive credit for their work. This ownership information could also be stored in distributed, rather than centralised, databases, helping to provide a single source of truth for payments and licensing. Finally, a large number of parties coul

Myelin 发表于 2025-3-26 02:33:34

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Conquest 发表于 2025-3-26 04:21:48

Peter A. Revill,Peter J. Wrightisks, as well as the benefits, to the creative economy (and beyond) in adopting blockchain technology. In . terms, both a complete lack of appropriate regulation, on the one hand, and over-regulation, on the other, represent risks. In . terms, the removal of trusted third parties may not be as desir

Tidious 发表于 2025-3-26 09:45:31

Juan C. de la Torre,Kathryn M. Carbone creators. Start-ups in the space understand this, as do some creators and a growing number of incumbents. Now policy-makers need to understand the potential—and the potential risks of inaction. At present, we are in danger of blockchain start-ups gravitating to countries other than the UK—resulting

赏钱 发表于 2025-3-26 12:50:36

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ALIEN 发表于 2025-3-26 18:28:48

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查看完整版本: Titlebook: Distributed Creativity; How Blockchain Techn Marcus O‘Dair Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen