清楚说话 发表于 2025-3-25 07:18:09
http://reply.papertrans.cn/29/2815/281450/281450_21.png稀释前 发表于 2025-3-25 10:16:13
Disnarration and the Unmentioned in Fact and Fiction978-1-137-50778-5丑恶 发表于 2025-3-25 13:10:39
follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism..978-1-137-50778-5insipid 发表于 2025-3-25 18:23:12
http://reply.papertrans.cn/29/2815/281450/281450_24.png蹒跚 发表于 2025-3-25 20:19:53
http://reply.papertrans.cn/29/2815/281450/281450_25.png博识 发表于 2025-3-26 03:32:43
http://reply.papertrans.cn/29/2815/281450/281450_26.pngprolate 发表于 2025-3-26 04:47:28
http://reply.papertrans.cn/29/2815/281450/281450_27.pngCHAR 发表于 2025-3-26 11:11:48
http://reply.papertrans.cn/29/2815/281450/281450_28.pngGossamer 发表于 2025-3-26 15:10:11
Dietmar Gross,Werner Hauger,Wolfgang A. Wallsights of . and .. The three fictional texts presented for analysis are two literary works of fiction: John Fowles’s novel .; Tobias Wolff’s (1996) short story .; and the 2016 film . directed by Damien Chazelle. The texts are analysed for their innovative narratological, literary and stylistic strat失眠症 发表于 2025-3-26 17:48:15
Walter Schnell,Dietmar Gross,Werner Haugernge of factual and fictional texts and understand why disnarrated modes of storytelling are so pervasive in all genres of storytelling. Analysis of experiential, personal stories, news and fictional narratives suggests there is a discourse of disnarration, while counterfactual divergence triggered b