Neuropeptides 发表于 2025-3-23 13:15:02
http://reply.papertrans.cn/29/2809/280807/280807_11.pngModerate 发表于 2025-3-23 16:56:48
http://reply.papertrans.cn/29/2809/280807/280807_12.png尊重 发表于 2025-3-23 21:34:11
http://reply.papertrans.cn/29/2809/280807/280807_13.pngdegradation 发表于 2025-3-23 23:53:38
Ulrich Köttgen,Wolfgang Callenseeisability to a lesser or greater degree, whatever doing on stage or in public. And that’s a good thing’ (2010). In a performance situation, in particular a social performance situation, a disabled person is an unconscious-become-conscious performer with the capacity to intervene inexclamation 发表于 2025-3-24 05:18:55
d artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.978-1-349-48449-2978-1-137-39608-2FLAX 发表于 2025-3-24 08:29:58
Entropie und WahrscheinlichkeitFor people with disabilities, daily interactions in social situations, spaces and places can feel like a series of performances in which their idiosyncrasies are, whether they like it or not, on show. As hearing-impaired artist Aaron Williamson says:angiography 发表于 2025-3-24 13:11:12
Introduction: Disability, Performance and the Public Sphere,For people with disabilities, daily interactions in social situations, spaces and places can feel like a series of performances in which their idiosyncrasies are, whether they like it or not, on show. As hearing-impaired artist Aaron Williamson says:优雅 发表于 2025-3-24 16:48:52
d artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.978-1-349-48449-2978-1-137-39608-2通知 发表于 2025-3-24 20:40:20
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Statistische Gesamtheiten des Gleichgewichtse is — at least for Back to Back Theatre, Bill Shannon, Katherine Araniello and Aaron Williamson, the artists I consider in this chapter — a clear inducement to interrupt the daily social drama of disability by commandeering the very spaces and places in which it plays out. In their practice, it is