Commission 发表于 2025-3-25 05:04:10
https://doi.org/10.1007/978-2-287-72094-9itique our culture’s narrow understanding of able-bodiedness. I address the role of disability and the prosthesis in two recent fantastic films, . and ., through theorizing the prosthetic embodiment of the films’ respective protagonists: Jake Sully and Hiccup. Prosthesis is commonly defined as a bod领导权 发表于 2025-3-25 09:54:21
http://reply.papertrans.cn/29/2809/280801/280801_22.pngdrusen 发表于 2025-3-25 11:50:01
https://doi.org/10.1007/978-2-287-72094-9, Robert Silverberg published . (serialized 1968; novel 1969), about a disabled man who uses an alien labyrinthine city to shut out abled society. It was a literary reversal typical of the 1960s science fiction (SF) by the New Wave and other writers, who rebelled against—or reversed—the themes, stylAdenoma 发表于 2025-3-25 18:09:36
http://reply.papertrans.cn/29/2809/280801/280801_24.png一瞥 发表于 2025-3-25 21:37:10
https://doi.org/10.1007/978-2-287-72094-9beginning with his conception in the backseat of a Buick Rivieria. “They used to say that a child conceived in love has a greater chance of happiness,” Hawke’s voiceover bitterly reflects. “They don’t say that any more.” In the near-future world of ., advances in genetic engineering have led to worlFilibuster 发表于 2025-3-26 03:09:07
Overview: In this groundbreaking collection, twelve international scholars – with backgrounds in disability studies, English and world literature, classics, and history – discuss the representation of dis/ability, medical "cures," technology, and the body in science fiction.978-1-349-46568-2978-1-137-34343-7Arctic 发表于 2025-3-26 08:02:05
http://reply.papertrans.cn/29/2809/280801/280801_27.png胡言乱语 发表于 2025-3-26 09:42:54
http://reply.papertrans.cn/29/2809/280801/280801_28.pngCampaign 发表于 2025-3-26 14:52:19
978-1-349-46568-2Palgrave Macmillan, a division of Nature America Inc. 2013peak-flow 发表于 2025-3-26 20:11:29
Diskrete Wahrscheinlichkeitsverteilungen, chords are sounded in total sympathy with the real” (“About 5,750 Words” 29). According to Delany, quality SF writing entails a “significant distortion of the present that sets up a rich and complex dialogue with the reader’s here and now” (“. Science Fiction” 176).