凶残 发表于 2025-3-25 04:59:33
Roger Planchon,eople. Just as Littlewood remained faithful to Stratford East, so Planchon has refused to move from Villeurbanne, a working-class suburb of Lyon, and has had the satisfaction (denied to Littlewood) of seeing the cultural authorities endorse this stand, transferring the prestigious title Théâtre Nati拒绝 发表于 2025-3-25 09:11:48
http://reply.papertrans.cn/29/2808/280703/280703_22.pngCRAMP 发表于 2025-3-25 14:52:06
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http://reply.papertrans.cn/29/2808/280703/280703_24.pngURN 发表于 2025-3-25 21:36:03
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http://reply.papertrans.cn/29/2808/280703/280703_26.pngIntrepid 发表于 2025-3-26 07:22:22
http://reply.papertrans.cn/29/2808/280703/280703_27.pngwatertight, 发表于 2025-3-26 12:04:11
Roger Planchon,ess, becoming, like Craig’s ‘stage director’, a master of all techniques: he is a powerful actor, a prolific inventor of stage images, a playwright of originality and complexity. Directing, for him, involves a mobilisation of all these skills in some degree and he has gone so far as to claim that thRALES 发表于 2025-3-26 14:02:47
http://reply.papertrans.cn/29/2808/280703/280703_29.pngpredict 发表于 2025-3-26 18:44:36
https://doi.org/10.1007/978-1-349-19478-020th century; individual; play; theatre