富裕 发表于 2025-3-21 17:28:44
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http://reply.papertrans.cn/29/2805/280497/280497_2.pngChagrin 发表于 2025-3-22 02:06:46
Book 2004 demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela效果 发表于 2025-3-22 08:20:57
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http://reply.papertrans.cn/29/2805/280497/280497_5.png无瑕疵 发表于 2025-3-22 13:29:42
http://reply.papertrans.cn/29/2805/280497/280497_6.png无瑕疵 发表于 2025-3-22 20:01:54
Book 2004ild, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.remission 发表于 2025-3-23 00:06:11
nstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.978-1-349-52250-7978-0-230-50298-7不能妥协 发表于 2025-3-23 02:24:01
http://reply.papertrans.cn/29/2805/280497/280497_9.png无思维能力 发表于 2025-3-23 09:24:02
Louis Brennan,Natalia Utrero-Gonzálezon the template of the body. It is, after all, his ‘hideousness’ that turned his creator away from him in shock and disgust in the first place. Victor describes his creation as variously a ‘catastrophe’, ‘the wretch’, ‘breathless horror’, and finally: