faculty 发表于 2025-3-25 05:43:41

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六个才偏离 发表于 2025-3-25 10:48:50

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暂时休息 发表于 2025-3-25 13:55:41

U. Hartmann,A. Mader,W. Hollmannience criticism with older models that date back to the sixteenth century, namely theater audiences and the development of “audience sovereignty” as a concept. Through a discussion of the professionalization of media in the nineteenth century, she documents the end of “audience sovereignty” and the

切碎 发表于 2025-3-25 17:59:38

Berlin und das Pathologische Institut, had rapport and connected despite the critical nature of the site. These discussions resulted in what some members regarded as positive changes in their television programs. In particular Falero discusses the . message boards, and site members’ continued quest to get more screen time and a better s

正式演说 发表于 2025-3-25 20:07:46

Grundlegende Ordnungshilfen beim Gestalten to own the site. The technology used by the site, and the management of “infractions” through it, created real limitations on discussion. The labyrinth of rules that developed as the membership grew served to stifle discussion, particularly political speech. A study of the fringe spaces of . shows

affluent 发表于 2025-3-26 02:54:43

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联邦 发表于 2025-3-26 08:13:09

https://doi.org/10.1057/978-1-137-50000-7Digital culture; message board communities; television critics; television criticism; participatory cult

大气层 发表于 2025-3-26 10:34:29

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eulogize 发表于 2025-3-26 15:31:56

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浪荡子 发表于 2025-3-26 18:50:04

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查看完整版本: Titlebook: Digital Participatory Culture and the TV Audience; Everyone’s a Critic Sandra M. Falero Book 2016 The Editor(s) (if applicable) and The Aut