gimmick
发表于 2025-3-26 20:56:51
Digital Labour, Society and the Politics of Sensibilities
吗啡
发表于 2025-3-27 02:32:45
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Obliterate
发表于 2025-3-27 05:49:48
in renewed ways to release/repress the creative energy of human beings, just a few of the potential paths for investigating the connections between work and society that are nowadays involved in the battle of sensibilities.978-3-030-12308-6978-3-030-12306-2
走路左晃右晃
发表于 2025-3-27 11:33:39
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CHASE
发表于 2025-3-27 14:34:50
Richard de Neufville,Philippe Delquien of “the politics of the senses” (look, see, observe, touch etc.) and (iii) analyses cases of workers in ICT industries (based on testimonies and records of virtual ethnography) that allow us to connect their daily experience with certain mechanisms of expropriation and commodification of the vital
LEVY
发表于 2025-3-27 19:56:24
Richard de Neufville,Philippe Delquieimportant question then becomes how this articulation is rearranged within today’s contemporary visuality and the logic of digital visual technologies. Faced with the imperatives of surveillance, mobility and total visualisation, it is important to rediscover the heterogeneous complexity of the enco
兵团
发表于 2025-3-28 00:49:43
Robert L. Carter,Stephen R. Diaconits interpretation. In the conclusions, we will recast the phrase “slavery of the souls” (Colectivo Situaciones 2006) in order to problematize, from the perspective of the actors, the meaning of the social mechanisms previously linked between digital and emotional work.
strain
发表于 2025-3-28 04:57:30
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Brocas-Area
发表于 2025-3-28 08:17:51
Introduction: Risk in a Complex Worldmajor issues are flexible working hours, temporary projects and working on a project basis. Software industry employees precisely reveal some characteristics for precarity, particularly in terms of its emotional aspects..Precarious work is a common work form in Turkey since early 2000s. Although the
DEFT
发表于 2025-3-28 10:48:50
https://doi.org/10.1007/978-3-319-63242-1mentioned aims, this chapter has been divided into four sections. The first one, meant as a general introduction, is followed by the section ‘.’, where I will try to define work, to frame it within the negative perception that the West has traditionally had about it, additionally synthesising the tw