membrane
发表于 2025-3-26 23:47:42
http://reply.papertrans.cn/28/2791/279097/279097_31.png
HEW
发表于 2025-3-27 03:36:19
http://reply.papertrans.cn/28/2791/279097/279097_32.png
公式
发表于 2025-3-27 06:38:46
http://reply.papertrans.cn/28/2791/279097/279097_33.png
forager
发表于 2025-3-27 10:16:20
http://reply.papertrans.cn/28/2791/279097/279097_34.png
金哥占卜者
发表于 2025-3-27 14:49:38
http://reply.papertrans.cn/28/2791/279097/279097_35.png
optional
发表于 2025-3-27 20:55:14
http://reply.papertrans.cn/28/2791/279097/279097_36.png
温和女人
发表于 2025-3-28 00:55:19
An Engaged Chadian Artist’s Digital Itinerary Towards Political and Civic Success: Pitfalls of Oppretists from a region in Africa, characterized by long and recurrent periods of unrest/conflict, but increasingly connected to ICTs and other innovative technologies including social media? Lalaye’s case shows such an environment could both be an inspiration for engaged artists and a blockage to their
NIL
发表于 2025-3-28 05:14:33
http://reply.papertrans.cn/28/2791/279097/279097_38.png
Feedback
发表于 2025-3-28 08:54:26
Scrutinizing Hashtag Activism in the #MustFall Protests in South Africa in 2015 the inclusion of new voices into public spaces, and in fact can help create new public spaces. This research is a critical analysis of journalists’ and media personalities’ use of Twitter during the #Rhodes Must Fall campaign in South Africa. The article examines social media practices by analysing
完成
发表于 2025-3-28 14:21:47
http://reply.papertrans.cn/28/2791/279097/279097_40.png