贫血
发表于 2025-3-21 17:33:21
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formula
发表于 2025-3-21 20:30:50
Spectacle and Speculation: the Victorian Economy of Vision in itting at it in the dead of the night… and of other places and of other scenes associated with those different times. And then she would lean upon her balcony, and look over at the water, as though they all lay underneath it’ (. 520).
myelography
发表于 2025-3-22 02:23:50
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圆锥
发表于 2025-3-22 05:41:23
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枕垫
发表于 2025-3-22 12:19:10
Despatched to the Periphery: the Changing Play of Centre and Periphery in Dickens’s Worksays grandly of the ‘fatal shore’ to which he is bound, unwittingly pronouncing on the 20,000 aborigines killed in clashes, the denizens of the forest cannot… expect to participate in the refinements of the land of the Free’ (57.876)..
Gyrate
发表于 2025-3-22 15:49:58
‘Anywhere’s Nowhere’: Dickens on the Move impersonal narrator and Esther Summerson as a kind of hypertrophied specimen of the novel’s intrinsic relationship between narrator and character, third-person and first-, and thus as a nineteenth-century representation of novelistic form, this essay will argue that . defines the novel for its era
Gyrate
发表于 2025-3-22 19:36:01
Foreign Bodies: Acceptance and Rejection of the Alien in the Dickensian Text visibility is poor. We are taken as far as Greenwich and even onto the ships and barges in the Thames estuary, but the fog affords no view of the Channel, let alone the continent, and we are quickly turned back inland to the ‘spongey fields’,. which like everything else in the novel are saturated,
visceral-fat
发表于 2025-3-23 01:17:46
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溺爱
发表于 2025-3-23 02:54:21
https://doi.org/10.1007/978-3-319-15455-8 and dreary, with nothing to relieve the monotony of its general aspect…’), but the writer is able to imagine its very absence of significant features as pregnant with significance, for it is a place ‘where no witness might see the trembling mother deposit her new-born child.’
AWRY
发表于 2025-3-23 06:13:29
Humanitarian Logistics and Sustainabilityitting at it in the dead of the night… and of other places and of other scenes associated with those different times. And then she would lean upon her balcony, and look over at the water, as though they all lay underneath it’ (. 520).