Diaphragm
发表于 2025-3-23 13:29:32
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显微镜
发表于 2025-3-23 14:16:08
The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
Palate
发表于 2025-3-23 19:22:10
Sabrina D. MisirHiralallOffers a clear history of Hindu dance.Explores postcolonialism, Hindu philosophy, religion, and pedagogy.Serves as a case study in dance education
gimmick
发表于 2025-3-23 22:16:08
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SLAY
发表于 2025-3-24 04:40:13
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Pandemic
发表于 2025-3-24 06:49:26
Book 2021as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives..
Lignans
发表于 2025-3-24 13:46:55
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Infelicity
发表于 2025-3-24 16:21:40
https://doi.org/10.1007/978-3-031-25110-8hapter. It is imperative for devotional Hindu dancers to pay attention to their way of being and interactions before, during, and after the dance. Contemplative dressing is vital as one prepares to dance. Abhinaya develops naturally through bhakti during the dance. Ethical responsibility plays a key role in the life of the dancer after the dance.
起草
发表于 2025-3-24 21:58:29
Kevin Dew,Supuni Liyanagunawardena to view Hindu dances. Following this, I relate an introduction to the ethics of Hindu dance based on the . (BharataMuni, 2000) and introduce the language of Hindu dance as conveyed in the Abhinaya Darpanam (Nandikesvar and Apparao, 1997). Dancers may ponder upon developing dance choreography with this basic knowledge of Hindu dance in mind.
Cosmopolitan
发表于 2025-3-24 23:22:22
https://doi.org/10.1007/978-3-031-25110-8 is repeatedly reduced to a phenomenon of cultural entertainment that denies the dancer and the viewers a devotional experience. In this chapter, I return to my original research questions as I stress the need to consider devotion as a part of Hindu dance.