载货清单 发表于 2025-3-25 06:22:02
Herman Melville’s “Bartleby, the Scrivener: A Story of Wall Street”ve mystery tale in which the cognitive tension is nourished by the forces of the grotesque should help understand a text that rejects interpretation without, for that matter, imposing a final meaning upon its “empty scrivener.”Confirm 发表于 2025-3-25 11:17:03
http://reply.papertrans.cn/27/2693/269247/269247_22.png嘴唇可修剪 发表于 2025-3-25 12:08:40
Roberto Bolaño’s t of guilt and of missed opportunities to achieve change. This chapter should offer a new way of apprehending a text often left aside by the critics of Bolaño and foster links with his more canonical work.Infirm 发表于 2025-3-25 18:15:08
http://reply.papertrans.cn/27/2693/269247/269247_24.pngAnecdote 发表于 2025-3-25 23:39:02
http://reply.papertrans.cn/27/2693/269247/269247_25.pngMalfunction 发表于 2025-3-26 00:22:19
Book 2018f texts presenting ‘unreadable‘ mysteries which, under the deceptively monolithic appearance of subverting traditional detective story conventions, offer a multiplicity of motifs – the overwhelming presence of chance, the unfulfilled quest for knowledge, the urban stroller lost in a labyrinthine tex政府 发表于 2025-3-26 04:37:30
From the Metaphysical Detective Story to the Metacognitive Mystery Taler justifies the terminological clarification which gives this book its title by acknowledging that the metacognitive dimension of such texts lies, in different but related ways, in their ability to question and subvert the characters’ motivations and their aspirations to closure.工作 发表于 2025-3-26 10:55:32
http://reply.papertrans.cn/27/2693/269247/269247_28.pngHIKE 发表于 2025-3-26 15:29:53
https://doi.org/10.1007/978-3-319-76657-7ing from Paris to London and New York, before addressing, in the next chapters, two paragons of postmodern literature, allegedly one of its initiators and one of its closing figures: Borges and Auster.Parameter 发表于 2025-3-26 17:29:05
https://doi.org/10.1007/978-94-6209-686-8h works as a paragon of both order and disorder, design and arbitrariness: a very rational figure when observed from above, but an infernal structure in which the detectives inevitably get lost as soon as they cross the maze’s threshold.