方便 发表于 2025-3-28 15:19:03
https://doi.org/10.57088/978-3-7329-8987-4nt mode of expression in cinema (see Deleuze, 1986; 1989). Experimental theatre also struggles to survive, with the more popular forms dominating to the extent that the momentum of avant-garde theatre is difficult to discern and exists (like time image cinema), very much at the margins. So too, theCRACK 发表于 2025-3-28 22:31:51
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https://doi.org/10.1007/978-3-658-34802-1ion and self-perception? To answer these questions we have to define the new immanent ontology and to discuss, in Rosi Braidotti’s terms, ‘the ethics of becoming-imperceptible’ (Braidotti, 2006). The new understanding of life as a nonpersonal and nonorganic power requires the theory of immanent ethi急急忙忙 发表于 2025-3-29 06:52:44
http://reply.papertrans.cn/27/2650/264951/264951_44.png吹气 发表于 2025-3-29 11:02:50
http://reply.papertrans.cn/27/2650/264951/264951_45.pngEsophagitis 发表于 2025-3-29 13:07:20
Die systemanalytische Betrachtungn space: ‘space seemed to him to be less and less reducible to a fiction separating us from psychological reality, rather, it was itself grounded in being’ (Deleuze, 2011, p. 34). That is, Deleuze points out, from . onwards, Bergson came to see that ‘while the idea of a homogeneous space implies a s策略 发表于 2025-3-29 16:12:01
http://reply.papertrans.cn/27/2650/264951/264951_47.png终点 发表于 2025-3-29 23:17:27
Die Gesundheitspolitik der Großen Koalitiont representation, the former makes a complex argument about a constitutive relation between the event and language while the latter argues in favour of a schism between the two. Placing these philosophical questions in the arena of theatrical performance, I would argue that instead of inverting theSad570 发表于 2025-3-30 02:03:04
http://reply.papertrans.cn/27/2650/264951/264951_49.pngCabinet 发表于 2025-3-30 07:55:54
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