notification 发表于 2025-3-23 10:13:46

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魅力 发表于 2025-3-23 16:28:58

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Antarctic 发表于 2025-3-23 18:47:51

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才能 发表于 2025-3-24 01:37:02

Representation,The second dimension of our analysis, the ., is about the way the musical content is represented. The choice of representation and its encoding is tightly connected to the configuration of the input and the output of the architecture, i.e. the number of input and output variables as well as their corresponding types.

apiary 发表于 2025-3-24 06:17:34

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exigent 发表于 2025-3-24 09:07:26

Challenge and Strategy,We are now reaching the core of this book. This chapter will analyze in depth how to apply the architectures presented in Chapter 5 to learn and generate music. We will first start with a naive, straightforward strategy, using the basic prediction task of a neural network to generate an accompaniment for a melody.

nostrum 发表于 2025-3-24 11:54:35

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陈腐思想 发表于 2025-3-24 16:20:33

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Adjourn 发表于 2025-3-24 21:14:40

Introduction,voice recognition or translation. It became popular in 2012, when a deep learning architecture significantly outperformed standard techniques relying on handcrafted features in an image classification competition, see more details in Section 5.

mechanical 发表于 2025-3-25 00:44:15

Conceptual Elements of Framework,voice recognition or translation. It became popular in 2012, when a deep learning architecture significantly outperformed standard techniques relying on handcrafted features in an image classification competition, see more details in Section 5.
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查看完整版本: Titlebook: Deep Learning Techniques for Music Generation; Jean-Pierre Briot,Gaëtan Hadjeres,François-David P Book 2020 Springer Nature Switzerland AG