chemical-peel
发表于 2025-3-25 07:11:28
The Novel as Cosmography,origination context that does not in any way replicate the Englishman Daniel Defoe’s serendipitous inauguration of the middle-class novel in Great Britain. Novelists in the (ex)colonial world made a conscious choice to harness the fictive mode as an auxiliary force in their societies’ confrontations with colonialism and neocolonialism.
Interlocking
发表于 2025-3-25 08:09:05
https://doi.org/10.1007/978-3-0348-6244-8ned account of the feeling produced upon the critic by the book he is criticizing’.. Unfortunately, neither the authority of D.H. Lawrence nor that of any other mentor can miraculously confer knowledge or insight where either is lacking, and gut feelings are no substitute.
催眠
发表于 2025-3-25 12:57:23
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FLASK
发表于 2025-3-25 17:20:59
Cultural Affirmation and Resistance,ned account of the feeling produced upon the critic by the book he is criticizing’.. Unfortunately, neither the authority of D.H. Lawrence nor that of any other mentor can miraculously confer knowledge or insight where either is lacking, and gut feelings are no substitute.
scrape
发表于 2025-3-25 22:18:32
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Duodenitis
发表于 2025-3-26 01:38:34
Crisis and Politics in Postcolonial Discourse,sis for the study of decolonization literatures — those literatures created to combat European colonialism in the past and neocolonialism in the present — by subverting its purpose with a universalist, homogenizing discourse that denies the very essence of the subject matter of the study. Many major
继而发生
发表于 2025-3-26 06:00:32
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bile648
发表于 2025-3-26 11:42:20
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Melanocytes
发表于 2025-3-26 12:42:39
Cultural Affirmation and Resistance, hear the literature of the 1950s and 1960s contrasted with ‘contemporary’ writing. In recent years, a revisionist school of criticism typified by Adewale Maja-Pearce has questioned the validity of the literature itself. Though Maja-Pearce restricts his comments to African writers, the comments sugg
极大的痛苦
发表于 2025-3-26 17:44:28
Casualties of Freedom, of disillusionment’, a time for the writer to cease looking backwards ‘to prospect in archaic fields for forgotten gems which would distract the present’.. With this, Soyinka summed up the new themes and mood that had quickly emerged in African decolonization literature so soon after the euphoria o