shrill
发表于 2025-3-28 16:20:07
https://doi.org/10.1007/978-1-4842-6206-1oductions. Two main points are discussed. Firstly, how does their identity as writers from the South influence/shape the their status as Malagasy writers living in the North? Secondly, how can we account for the entanglements of art and knowledge production? Based on conversations with Naivo, a Mala
Infraction
发表于 2025-3-28 19:23:23
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旧石器
发表于 2025-3-29 00:25:28
https://doi.org/10.1007/978-3-319-25628-3ver extended periods. This discussion begins by identifying translation as a form of aesthetic relating and then reflects on the experience of aesthetic relating over time through examination of the author’s experience working with the Swahili poetry collection . (in English, .) by the Kenyan author
飞行员
发表于 2025-3-29 06:26:07
Anastassios Pouris,Portia Raphashaion. To demonstrate how this is made possible, a film by Sponsored Art For Education—Kenya (SAFE-K) entitled Watatu is deployed as a specimen for critical analysis. From the structuring and framing of the film through the infusion of community theatre participatory aesthetics, it is discerned that f
gout109
发表于 2025-3-29 11:10:04
Depopulation, Aging, and Living Environmentsal readings, enhancing the relationship between the literary work as a mise en scene and mise en abyme of graphic signs with other art forms such as plastic arts, painting, sculpture, photography, etc. In this chapter, I set out to critically probe the nature of that figure, as represented in some o
橡子
发表于 2025-3-29 14:57:03
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意见一致
发表于 2025-3-29 18:07:37
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激怒
发表于 2025-3-29 23:08:05
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混杂人
发表于 2025-3-30 01:32:16
Japanese Governance and Meta-governanceoaches with the concept of “ekstasis” as conceived by Böhme in order to capture the rhythm (Senghor) and the atmosphere (Böhme) of an artwork to which the receiver/spectator/reader responds. The notion of “raison-étreinte”, literally “apprehension by embracement” as used by Senghor and highlighted b
Fabric
发表于 2025-3-30 06:23:30
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