miniature
发表于 2025-3-26 21:17:55
,Artistic Practices in Postcolonial Context in Benin Republic: Cases of Magou Amedée and ‘Eclosion U the colonial cultural mediation which continues through Cultural Centers in associating rural context to a contemporary art production. The second is devoted to . original experience in Porto-Novo, which allows showing that the interaction between urban contemporary artists and rural social practices could be the way for new aesthetic.
无所不知
发表于 2025-3-27 03:29:32
Book 2023different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices
Oligarchy
发表于 2025-3-27 05:26:46
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疏忽
发表于 2025-3-27 10:32:25
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颂扬国家
发表于 2025-3-27 14:28:01
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Afflict
发表于 2025-3-27 20:53:11
Decolonizing African Aesthetics in a Globalised World: A Way Forward,w by heathening Africa, the latter has been dispossessed by organised exportations of her arts for the benefit of western museums. Finally, the paper provides some steps for decolonising African authentic aesthetics.
NEG
发表于 2025-3-27 22:07:01
,Fanon’s Odyssy: A Cannibalistic Feast,ork or opus (art, literature, philosophy) I will talk about here is a form of that reach for an un-alienated humanity described luminously by Fanon. As such, it always contains a force of resistance to the powers that be, albeit a very fragile one.
Onerous
发表于 2025-3-28 05:38:57
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escalate
发表于 2025-3-28 08:27:28
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laxative
发表于 2025-3-28 14:27:42
https://doi.org/10.1007/978-3-030-87839-9ajor inspiration from the discipline of Media Philosophy, the essay focusses on Cape Town punk rock in order to go beyond any ‘authentic’ understanding of the Other and all hermeneutics of meaning that for so long have been the epistemological foundation of colonial discourse.