fallacy
发表于 2025-3-21 18:17:27
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摇摆
发表于 2025-3-21 21:37:42
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Culpable
发表于 2025-3-22 03:59:38
,Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh’s Choreography and the , ‘Tradityasingh and other choreographers experiment with Indian classical vocabularies and integrate themselves into the mainstream of British dance, an enduring Orientalism inflects the reception of their work. In reviews like Brown’s, the classical dance forms that serve as these artists’ point of departu
懒惰人民
发表于 2025-3-22 04:47:24
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ADAGE
发表于 2025-3-22 09:20:26
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DEVIL
发表于 2025-3-22 13:07:33
,On the Premises of French Contemporary Dance: Concepts, Collectivity and ‘Trojan Horses’ in the Wor Pompidou, respectively. As I read a critique of Bel’s performance by Tim Etchells, the director of the British-based experimental performance ensemble Forced Entertainment, it became clear to me how culturally specific these works are, and that some contextualisation by someone ‘on the premises’ ma
DEVIL
发表于 2025-3-22 18:03:15
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音的强弱
发表于 2025-3-22 23:03:39
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obeisance
发表于 2025-3-23 05:27:28
and the Politics of Transformation,ggest that the film is not about the dance. . focuses on a ballroom dance programme, initiated by a ballroom teacher, Pierre Dulaine, in 1994, for fifth grade children from New York City schools. Over 60 schools from Manhattan, Brooklyn, the Bronx and Queens participated in the ten-week course, whic
有发明天才
发表于 2025-3-23 08:37:47
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