conservative
发表于 2025-3-23 11:25:58
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BAIL
发表于 2025-3-23 17:53:33
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解脱
发表于 2025-3-23 21:08:41
Manfred Herrmann,Ch. Huth,A. D. Ebertentre on his science fiction-inflected early career but, be it brief cameos as in . or ., the explicit Bowie-based rock biopic ., or the sustained homages of ., . and ., the personae employed are shown to remain sufficiently protean to allow for different, even contrary emphases.
有恶臭
发表于 2025-3-24 00:53:43
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chandel
发表于 2025-3-24 03:06:53
,Bowie Does Musicals—Man of Words, Man of Music,ous late 1950s advertising executive serves also as the epitome of 1980s neoliberal capitalism. Though both works were poorly received on release, analysis of source text adaptation and genre theory are employed to make a (strong) defence for Bowie’s contribution as both singer . actor.
斗志
发表于 2025-3-24 08:16:41
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兽皮
发表于 2025-3-24 13:23:28
,Introduction—Sound and Vision,ront of the camera, and argues that themes central to both his musical and film career can be traced back to these ‘apprentice pieces’, works that feature non-heteronormative relationships and the adoption of a stage/screen persona with the potential for psychological dislocation.
外露
发表于 2025-3-24 16:07:08
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Presbyopia
发表于 2025-3-24 19:18:04
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易弯曲
发表于 2025-3-25 03:08:09
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